What Da Vinci Didn’t Know,
by Holzapfel, et al.
And now, after the many reviews which have been given of this book, this is the review last of all, which I give of it: That it’s worth reading!
There have been many criticisms laid against What Da Vinci Didn’t Know, but I found, upon careful inspections that nearly all of them were addressed in the introduction. Especially things such as “The Da Vinci Code is fiction! Sheesh, no-one should be taking it seriously enough to write a book about it!” Even gripes about the formatting (i.e. all footnotes are in the back of the book) have been explained. While taking the time to read carefully through the introduction and conclusion sections, it became very clear that the authors are a good-natured group of people that are well aware of how they come across when they talk about history and the myriad inaccuracies to be found in a work of popular fiction. They are never directly critical of Dan Brown, and never presume to know what his intention or thoughts were in writing his book. They also never come across as though they were speaking down to their readers, writing as though they are doing us a great favor by letting us in on the real deal.
The authors make an excellent point when they say:
“…Member of our society are often much more interested in getting their history lessons from novels, television shows and Hollywood movies than through… scholarly explorations of the past. Scholars and academics who have forgotten the “story” in history are partly responsible for the lack of interest in, and support of their historical craft because their works are often stilted, unimaginative and basically uninteresting.” (pp. ix-x)
Because so many of us get our information from the popular media, the authors, as professional historians, feel it is important to make sure that they fulfill their responsibilities to clarify the erroneous assumptions presented as fact for the sake of an engaging story. The most grevious errors the Da Vinci code presents are those that counter reliable sources that teach the following doctrines:
“1. The Divinity of Jesus Christ.
2. Christ’s role as the savior and redeemer of mankind.
3. The legitimacy of the early Christian church.
4. The integrity of our canonical New Testament.
5. The very existence of God the Father and His Son, Jesus Christ.
6. The commandment of Chastity
7. The authority of the original Quorum of the Twelve Apostles.”
(p. 111)
The body of book is made up of chapters, with each focused on a single claim, subject, or assumption made by The Da Vinci Code. Each chapter stands alone, and does not assume that one has read the previous chapters; this means that some information is repeated rather often, but the functionality of this format outweighs the repetition. Pertinent quotations from The Da Vinci Code are included (so it is not necessary to read the two in parallel), and serve as reminders for things that may have been easily overlooked in a fast-paced emotional reading of the murder-mystery. The only major failing of What Da Vinci Didn’t Know is that the authors, as historians deeply in love with history, make some of the failings of most historians. The material is sometimes dry, and carries a tone of deep reverence for the art and craft of history.
The best point of the book is the comfort one can feel in knowing that the authors are LDS and include frequent reminders that they take their faith, and your faith, seriously. After reading the book I came away with the distinct impression that history is vague and subject to wild interpretations–that the cut and dry history we knew of in third grade is a myth. What is decidedly less vague, though, is the testimony of the Holy Ghost, and the blessings one can recieve by living the gospel.
The greatest problem of The Da Vinci Code is the way it has served to draw attention away from the purpose of Christ’s life and ministry, and send that attention towards minutae of Christ’s life that can never be proven by the means we have available to us. Especially that “If we have not studied and applied in our lives the profundity of the Atonement of our Lord and come to know for a certainty of His divinity, no other information we aquire about him will make any difference.” (p. 50)
What Da Vinci Didn’t Know, by Richard Neitzel Holzapfel, Andrew C. Skinner, & Thomas A. Wayment. Published by Deseret Book.
Cover image © Deseret Book. Used with permission.
May 29th, 2006 09:50
My Aunt loaned me the CD of their discussion. It came out a couple of years ago I think. Perhaps some would like to listen rather than read it. I know for me, I found that the discussion spent a great deal of time on the Dead Sea Scrolls and Nag Hamadi Library. I kept wishing they would get to the points of the book and the plot. Then again maybe I don’t take these sources as seriously as other readers might? I have enjoyed The DaVinci Code, and I enjoyed the movie. I agree with These Bretheren that we must not get our history from literature. There are many works of fiction where people do just that, including The Work and The Glory series. While fiction can make history interesting, it is fiction because the Author takes literary license with the subject matter and material.
As far as Historical Evidence goes, there isn’t much out there to proclaim the divinity of the Saviour. That testimony is meant to be given through the Holy Ghost. It is only by and through that means that we can actually learn for ourselves the beauty of God’s love for us. We can learn of the Saviour through the writing of the Scriptures, but without the testimony of the Holy Ghost born in our souls they become meaningless.
Thanks for your review Starfoxy, someday I hope to pick up the book and enjoy it.
May 29th, 2006 13:36
Starfoxy,
Would someone who hasn’t read The DaVinci Code” benefit from this book, or would reading Brown’s book be a prerequisite?
May 30th, 2006 08:11
Tanya, Thank you for mentioning the CD that was produced. They mention the CD breifly in their book, but seemed to indicate that the book is more in-depth than the CD. I haven’t listened to their discussion, so I can’t say with certainty, but the book does focus specifically on claims made by the DaVinci Code, and only discusses specific texts (like the Nag Hamadi) to explain the accuracy and historical ‘weight’ of the documents used in the DaVinci code.
Michelle, that is an excellent question and I’m so glad you asked. I think the book is very much worth reading, even if you never even want to read The DaVinci Code. The amount of information about Mary Magdelene, and the early church is wonderful, and clearly explained. For instance, I had been taught in various places (Sunday School, seminary etc.) that Mary Magdalene was formerly a prostitute, and was most likely the sinful woman that washed Christ’s feet with her tears and hair. In ‘What DaVinci Didn’t Know’ the authors explained that there is practically *nothing* to indicate that Mary Magdalene was ever a prostitute, or was ever mentioned in the Bible unless it was by name. They explained that a declaration was made by a Pope several hundred years after Christ’s death that Mary was the sinful woman, and it has been taught extensively from that time on even though it has no scriptural basis. The authors share extensive knowledge that is highly useful.
May 30th, 2006 09:05
I was writing a RS program a few moths ago, and I actually stmbled across something that identified the woman in terms of another sister in the gospels. I think it might have been in relation to Mary & Martha/Lazarus. Shoot, it was a great insight. I’ll go see if I can dig it up, and write it up for you!
June 1st, 2006 16:43
Starfoxy, do you mean that we actually have to read the introduction to the book? Like anyone has time to actually read those pages, especially if they have roman numerals…